There Are Some Other Considerationsĭo you want an interface that includes DSP or integrated software controls for mixing? There is a growing trend for audio interfaces to include lots of bells and whistles. And a number of massive hits over the years have been recorded and mixed at those sample rates. But these normally contain a lot fewer tracks than a commercial pop or rock song, so the increased resolution puts a lot less pressure on the computer.Īll that said, for a home studio, 44.1kHz or 48 kHz is more than fine.

But to do that, you need much faster computers and far bigger storage because each file is more than double in size therefore, a 100 track song can be a nightmare to load and play if your hardware isn’t up to it.įor audiophile jazz and classical recordings, you might even find 176.4 or 192kHz.

Most modern professional studios might work at 96kHz. However, at professional levels, the sample rates go a lot higher than that. If you’re recording at 44.1kHZ at 24 bit, you are recording at quite a bit higher fidelity than good old much loved CD’s. In fact, it is CD quality, and that is at 16 bits, and if you’re old enough to remember how much everyone was amazed by CD’s when they first appeared, that gives you a good example. Again without going into too much detail, a sample rate of 44.1kHz is enough to capture and reproduce just about any sound you can hear. Without getting too technical, 24-bit is ideal and preferable, 16-bit is acceptable. Do they matter? Well, yes, they do, and they will have a big effect on the sound you record and reproduce. You will come across technical expressions like Bit depth and Bit rate. There are others, of course, Firewire, Thunderbolt, where the transfer of data is faster, but you will find USB just about everywhere. Technology moves fast.īut the connections used are fairly standard, USB being possibly the most common. Well, there is an expression in computing that says new products are obsolete before they are released. How Do You Connect To Your Computer & DAW? If it is just you, you can get away with two channels, but in some cases – full drum kit, live band recordings, etc., you are going to need more. From two-channels to a lot more than that depending on what other equipment you own. The range of interfaces we’ve reviewed includes just about every configuration that you will ever need. Plus, there are so many options in terms of the configurations of inputs and outputs, connections, formats. And since EVERYTHING you record will go through it, it has to be up to the job.

However, a quality audio interface is one of those products where you do not have a choice if you’re recording using a computer. With some of the items you need for your studio, you have a choice of whether to buy them or not. Some might think there is just too much included for an audio interface.

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